> All criminal action had to be punished, and neither the crime nor the criminal could elicit sympathy from the audience, or the audience must at least be aware that such behavior is wrong, usually through "compensating moral value".
Modern cinema and cinematic critique has been so flattened by the constant accusations of filmmakers supporting some "-ism" or another by failing to have their characters directly speak out against it. It's ridiculous.
But when you have Hollywood producing this Jack Bauer trash where the protagonist is doing everything that should never be done and is still painted as our hero and champion, that's rightfully criticized as propaganda.
The problem isn't when the bad guys are seen to get away with it, the problem is when the bad guys are made out to be the good guys. If they get away with it and it doesn't leave you feeling uncomfortable then it better be because the point was that they were never really the bad guys, because the alternative is to make you sympathize with the wicked.
But this is hardly unique to Nolan. Probably 90% of Hollywood movies that involve crime have this message in some form.
The popular ones with extra-human abilities - Flash, Superman, Spiderman, Captain America, etc, have more normal backgrounds.
Boys with toys though - Batman, Ironman, The Atom, are the 1%. Ant Man I guess is more normal, but he stole his suit (but Hank Pym was reasonably normal too)
Then again, I guess the film ends up doing the same thing by only demonstrating concrete benefits alongside theoretical, but unrealized, harms...
There is, admittedly, a precedent within the basic premise of the Batman story itself (and Frank Miller, author of the Dark Knight Returns comic is a noted right-wing libertarian) so in the case of that franchise, Nolan isn't inventing whole-cloth but it's also not something that's limited to just his Dark Knight films