There’s no gatekeeping in the processes of these works, no secrecy, not even really whatever you’re talking about. These works would in fact be utterly diminished by being produced by an LLM because they’re trying to capture the stories of real, existing people who had real, painful experiences. I have no empathy with a machine but I have all the empathy of a man who loved a man whose family hated him so much when he died they wouldn’t even leave his lover with anything more than a box fan and so he decided to declare the box fan to be art.
There are plenty of times in which people will prefer the technically inferior or less aesthetically pleasing output because of the story accompanying it. Different people select different intention to value, some select for the intention to create an accurate depiction of a beautiful landscape, some select for the intention to create a blurry smudge of a landscape.
I can appreciate the art piece made my someone who only has access to a pencil and their imagination more than someone who has access to adobe CC and the internet because its not about the output to me its about the intention and the story.
Saying I made this drawing implies that you at least sat down and had the intention to draw the thing. Then revealing that you actually used AI to generate it changes the baseline assumption and forces people to re-evaluate it. So its not "finding a creative result that they value, but they retroactively devaluing it if it’s not created by a process that they consider artistic
While people do think like this, it misses the point.
Yes, all forms of art is FULL of randomness and people copying each other. The thing that makes it special is that it took people going out and living and having experiences to create it. They have to actively absorb prior art, learn about it, analyze it, generally be influenced by it. You have to seek out paints, clay, musical instruments, etc etc and at least somewhat learn how to use them. It's not about being difficult to do (although it's certainly impressive but not part of the emotional takeaway), but everyone's process is different and their experiences go into what they create. When I see a photograph of a tree, I think: "Someone went to where that tree is!" and that's part of the feeling and excitement of a really artful photo.
Now, someone who has only ever heard the term "free jazz" can sit in their parents' basement and type out "make me a free jazz song" and shit out the result onto the internet. It's really not the same thing at all.
Rest of the world: "No, we're gatekeeping because we think the result isn't good."
If someone can cajole their LLM to emit something worthwhile, e.g. Terence Tao's LLM generated proofs, people will be happy to acknowledge it. Most people are incapable of that and no number of protestations of gatekeeping can cover up the unoriginality and poor quality of their LLM results.
Big opinions there. A large amount of art that you think comes from individual expression is often not. There are countless examples of artists that secretly used algorithmic processes. A great example is Vermeer: https://youtu.be/94pCNUu6qFY?si=M6UQ-XuHNtoj2-3a.
This is what I mean about how this individualistic philosophy of creativity actually just results in artistic gatekeeping and manipulation of the audience
It’s very common for artists to add on individual expression narratives at the end of the process just so they can market the art, and the reality is that the individualism was never there to begin with. It’s just manipulation and advertising, and it sucks because the success of advertising like this actually undermines the quality of the art world. Because audiences are so susceptible to advertising narratives, artists are forced to spend more time on advertising more than art
> Art for the most part has always been the expression of an individual, even art tightly bound to a cultural context.
This is also not true. This idea mostly comes from the Romantic period. Modern day versions of it are often really just referencing a single book from the 1930s called The Principles of Art by a guy named R.G. Collingwood. It’s a very recent way of seeing art. Historically, art was connected to religion, and therefore thought to be valuable because it was universal rather than individualistic and personal
Sometimes you do, which is why there’s not only a single type of brush in a studio. You want something very controllable if you’re doing lineart with ink.
Even with digital painting, there’s a lot of fussing with the brush engine. There’s even a market for selling presets.