You would need a frame rate higher than the Nyquist frequency of highest harmonic you want to capture. Since the fundamental frequency of the lowest pitch sting is 83.4 Hz, and you want to capture up to the fifth harmonic (at 83.4 Hz * 5 = 417 Hz) and double that to get the Nyquist frequence, so at least 834 fps. So you would need a high speed camera with 1000 fps to capture the real vibrations.

Hold on. Your first video is indeed a rolling shutter artifact. But your second video never shows enough of the string to see the harmonics. When you (for example) pluck with a finger on the 12th fret, you absolutely do have a real physical squiggle vibrating in the string, with one node and two antinodes. With a 7th fret harmonic, there are 3 antinodes, with a 5th fret harmonic there are four. There are squiggles, and you can see them with real slowmo.

While you're of course righ, in a certain way, the squiggles _are_ a function of the frequnencies that the chords are vibrating at. What you see is the interaction of the two frequencies, your the interaction depends on both frequencies.

Not sure if I’m misunderstanding your claim. A string does vibrate as the sum of the string’s harmonics. That’s how pinch harmonics work, and they wouldn’t work if that wasn’t the case.

You poke a spot where a given harmonic doesn’t vibrate, and that takes energy away from the other harmonics that do need to vibrate at that spot.

If we’re just talking about visually being able to see them, I suppose that’s a different question. Maybe on an incredibly low pitched string, or with a strobe light playing at a synced frequency? But in terms of what the string is doing, it is vibrating as the sum of its harmonics.

>> but you can't see harmonics happening to the string.

But you absolutely can if you rest a finger on a node and pick it, producing primarily the harmonic. You can even see the lesser vibration at the nodes with your eyes.

Interestingly, with an oscilloscope you can see the harmonics in all their gory detail :)

Actually depending on microphone or instrument interface, you can see stuff that's beyond the range of hearing too.

Also, on a low-frequency long-string like an upright bass, if it is bowed at the halfway node, you still hear mainly the fundamental but the second harmonic is naturally emphasized more than usual, and you can also see half the string making its contribution as pictured, with the naked eye.

> If you watch a video like [0], the squiggles aren't real, they're an artifact of a rolling shutter camera.

...is this correct? You can say this about any oscillating phenomenon - that doesn't mean it's not 'real'. The "squiggles" are an artifact of the frequency of the string and the scan rate of the rolling shutter. You'll also see artifacting from a global shutter camera, where the "squiggles" will be an artifact of the string frequency and the frame (rather than scan) rate.

Or do I misunderstand?

I've been playing guitar for 25 years, and it seems to me that I can look at the "squiggles" from a rolling shutter capture of a string and tell you which string it is (and possibly, if I'm having a particularly sharp day, whether it's E or drop-D). I've never tested myself this way - am I certain to fail? :-)

> the squiggles aren't real, they're an artifact of a rolling shutter camera. A real slowmo camera will correctly show the entire string vibrating

How do you distinguish vibration from squiggles? To me these seem like the same concept, at the very least over time. The moment simply doesn't matter except to neurotic people without a solid understanding of harmonics and especially of sound.