I mean, look at any house or hip-hop track, sampling's like the most fundamental part of both genres.
replyThe track you've mentioned is the prime example of the blend of those two genres. Before the term Eurodance caught on, this track would be referred to as hip-house (as in hip-hop + house). Chicago and the broader NY area did it first, but it was a Belgian track that first topped the US charts (Technotronic's Pump Up The Jam).
That's why one of the super simple improvements I'd make to music copyright law, if I had to choose one thing rather than a massive overhaul, is for sampling to also be subject to the compulsory mechanical royalty system.
replySo any artist could sample something, do some paperwork, and send of a fraction of royalties. Rather than the current system where you need explicit permission from the recording artist and have no recourse if they say no.
So many music genres exist because of sampling, and the shit legal precedents set in recent decades ruined an amazing thing.