The advantages of vinyl are basically making up for lack of self-discipline in humans. (I much prefer vinyl for that precise reason!)
a) Since putting it on becomes more of a ritual - handling the album carefully, brushing off lint, placing the needle &c - I find I make more of an effort to actually _listen_ to the music I put on. I could listen as intently to Spotify or Tidal, too - but, alas, I most often don't.
b) Seeing as you'll get some 20-odd minutes of music before having to make another choice - be it playing the other side or another album entirely - it enforces having to decide on what you'd like to listen to, rather than just letting your streaming service of choice play things it thinks you may like. (That being said, streaming services are a great way to explore new music!)
c) Given the economics of streaming, buying physical media helps both the record stores - a good one is like an excellent library, in which the librarians give you all sorts of curated recommendations for things you may like, in addition to being great social meeting places with like-minded folk - and performing artists alive; I've no idea how many hours I would have to listen to an artist on Spotify before the payout is equal to their takeout from a single vinyl sale...
d) Besides, it is cosy.
That being said, you could easily DSP CDs or streaming to sound like vinyl if that's your idea of fun - just about any playback format is superior sonically to vinyl. However, to many, it is the whole ritual of putting on a record which basically makes it worth the sonic tradeoffs... (Call me a luddite if you like!)
I listen to most of my music on phones or computers and when I do, I like to pick out a track at a time or put together a playlist or just shuffle the whole damn thing.
When I purchase or put on a record, it's because I think the album is a cohesive work and I want to listen to it as a piece; the constrained format created the concept of an album, and using it enforces listening to the music as an album.
I don't see how this is different between a record and a CD.
Heck, it used to be all the rage to get a three or five CD changer and shuffle the whole thing, comfortable unpredictability, forty or fifty songs you like but never knowing which is next.
You could likewise just listen to an album on your phone, in order, but it's too easy to let your distraction kick in and switch it halfway through.
It saddens me a little that, in spite of all the technology, actual Hi-Fi listening seems to have become less accessible or prevalent. I'm still not sure how much this is really for the commonly stated reason of convenience, and how much that is really cope and denial of a bigger socio-economic decline. I.e. it simply isn't as realistic for regular people to have a Hi-Fi listening space...
For comparison, median income after taxes is approx. $50,000 a year, so we're looking at less than a week's net wages.
I think it is more likely that our media consumption habits have changed - when I was a kid in the eighties, a few - like, the bank branch manager, the dentist and a few others - had a VCR at home. The rest of us had TVs, meaning we watched what was on at the time, or (once in a while) rented a VCR and a movie.
That aside, our media choices were radio, going to the cinema (not very often!) or - drumroll - recorded music.
Hence everybody had stereos. I believe my parents were quite typical - when I was a toddler, they bought a number of LPs with radio dramas for kids on them, music for kids &c - the stereo was basically the entertainment hub.
Today my family and I - wife and three kids aged 10, 12 and 16 - have between us, let's see, 2xTVs, a 40" and an 85", the latter with a 5.1 system attached, both with Apple TVs, a stereo (making us an outlier!), three ipads, three smartphones, two dumbphones, a handful of radios, three - oops, four - laptops, a PlayStation, a couple of Nintendo Switches...
There's basically so many more options to spend our media time on, and at the same time there's way more leisure activities aimed at kids now than when I was a kid, so the kids are barely at home during the week (at least it feels that way!), leaving less time (methinks) for media consumption than only a generation ago, while at the same time having many more options.
So - basically, for many, only a generation ago, the stereo was the entertainment hub and you were kind of expected to have one. Nowadays the entertainment hub is some kind of internet-connected device, and a stereo is a niche product.
Unless an artist is very disciplined, that means what would be a decent album at 40 minutes worth of music in LP days would be half an album today.
Again, this is a shortcoming in people, not in the medium itself - after all, a stellar 40-minute album can be released on CD, too.
I have heard expressed many times, though, the expectation that a CD should be 'full' in order to be a proper product - or, for that matter, the artist can be less severe in the cutting room, seeing as 'Oh, we've got room for that one, too ...'
I'd much rather have a condensed album which is mostly great than the same songs mixed with as many tunes which ought have been left in the archives pending a 'Collector's edition', 'Complete outtakes' or similar.
Then again (again!), at least a CD lets you skip the filler and listen only to the good stuff - at the risk of losing some of the recording artist's vision. Which, again, is a matter of (lacking) self-discipline. The LP raises the bar for skipping songs, hence forcing us weak souls (I count myself among them!) to listen to the full work, as the artist intended.
Or, at least as the artist intended before 'new release' meant uploading a new song to streaming services, making the album - as a somewhat cohesive collection of songs - a niche product.
Apropos nothing, the latest album I bought is a CD which arrived in the mail today, and it clocks in at 55 minutes and 20 seconds. Picked up a handful of LPs last week, though.
Rather less-succinctly: I never got into vinyl and have never owned a turntable that wasn't built down to a price. I do still have my shelves of CDs, and it keeps slowly expanding. I usually listen to Spotify because it is convenient and portable and -- these days -- lossless.
But my sister and her old man have put together a quite decent stereo system with a mix of vintage and modern gear in recent years, and also started a a rather serious vinyl collection. While there's certainly no romance there on my end, it's a lovely and deeply-involving experience to hang out with them in their tiny little city-dweller living room and spin records into the wee hours; sometimes for just one track, and sometimes for entire albums.
I definitely prefer the way my own stereo, which I've built over the course of decades, sounds. It's detailed and big and it does all the things; it is by all technical measures very superior. But we have a lot more fun listening to vinyl at their place than we have playing CDs and Spotify at my place. The process -- and indeed, the inconvenience -- of playing vinyl makes it all much more visceral.