Is this true, or you just can’t discover them anymore because everything else competes for your attention? Arguably in the last decade more great content in both movies and TV shows produced than ever, it’s just so much, that it’s hard to choose.
There is an element of that perhaps: from the past we already have a great number of movies. The more time passes the more great movies will accumulate, so newer movies will be judges compared to that whole set.
However, at the same thinking how many times I was exciting about a movie and how much I liked it. There are lot of fewer of them in the recent times.
> Arguably in the last decade more great content in both movies and TV shows produced than ever,
I could see the quantity but not the quality. Netflix produced a lot of shows and movies, Hollywood did, but I don't think as many good ones in there as say in the decades of 1990-2000 or 2000-2010. Tastes of course are subjective, you may just like newer movies they make that's fine, too.
That was the era of "every second counts." Every second has meaning and purpose and adds something to the narrative. The Fifth Element is another good example, and almost 30 years old. Now in the age of binging, where a 2 hour plot is stretched into 17 hours of TV, there is SO much filler and downtime and it's honestly just offensive in comparison.
I kind of enjoyed Pluribus, I liked the concept and what they did with it, but there's way too much forgettable filler that dilutes it into a slog. The movies I mentioned are (again, IMO) absolutely gripping and just lean and mean storytelling vehicles.
That's the problem with nostalgia, you don't remember all the bad movies you had to watch just to get those two gems. Someone probably suggested those movies rather than you stumbling onto them. That's pretty much the job of a critic. Siskel and Ebert in the 1980s would often talk about the pain of having to sit through hours of awful movies every week just so that they could find one or two worth recommending.
Sometimes, cultural decline actually does happen, usually eventually followed by some kind of renaissance. Anyone who has studied the cinema, literature, etc. of a certain country in the past knows that there are "hot" periods and "cool" ones. When we see this phenomenon in the past, it doesn't tend to trigger the same defensive reaction, I guess because it doesn't feel as personal.
What are you paying when you go to the cinema? Just went to the cinema today to see Hoppers, and was slightly surprised that the tickets were only 8 EUR per person, then we spent maybe 5-10 EUR per person on snacks too, so ended up paying maybe ~15 EUR per person overall. This was outside a metropolitan city in South-Western Europe, maybe that's why, or I've just lost track of what's expensive/cheap.
You don’t have to pay the app “convenience fee” but they added assigned seats to pressure you to do so. If you wait till the day of and buy on the big kiosk in the lobby, what if all the good seats are gone? (Hint: they won’t be, the theaters are always mostly empty)
Movie theatres hardly make any money from ticket sales with 80% of the ticket price going to the studio during the first two weeks and then declining. They make money off of concessions