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Anton Ego in Ratatouille gives this take on what democratization should mean:

Not everyone can become a great artist, but a great artist can come from anywhere.

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That's a pretty good take, I think.

What I object to is this notion that everyone should make art, and that AI empowers them. As in (and yes, I've read this, I'm not making this up) "people without writing skills can now write novels". That seems wrong to me. People without writing skills (or drawing, or movie making) should not be making those things.

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I would distinguish: they could make them for their own entertainment, but should not market them. But come to think about it, how much non-AI slop is out there that has become popular from entities with no or mediocre talent in it: generic Hollywood blockbusters, supplements, yellow papers, influencers ... all slop that became popular not due to its quality but secondary resources in form of marketing, placement and persistence of the propellants.
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Yes, I thought of this too: the industry was full of slop way before AI. We spoke of "Netflix's algorithm", but even before Netflix blockbuster movies were done with a cookie cutter. Transformers (to pick one example) existed way before this brand of AI. Movies like it are perfect candidates to be prompted and built by an AI, since they were almost there anyway.

I can't help but think this "AI empowerment" will make it even easier for studios to produce more garbage at an unprecedented pace. And they won't have to even let actors age gracefully and die; now we can have Tom Cruise (or whomever, pick your poison) forever.

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For me the "blockbuster" movies use so much CGI that it's impossible to suspend disbelief. They've gone too far and ruined the experience. AI will only make it worse.
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Democratization is a specious argument. The artistry in an AI assisted work is the part that the human contributes as opposed to the the part that the AI contributes. If the human contribution is negligible, the artistry is negligible and there is no meaningful democratization because there was only token artistic intent in the first place.

And what's actually happening with AI? Someone mentioned in another submission that 7500 new books _per day_ are being released on Amazon Kindle. The wave of low quality AI submissions to HN was so severe that the HN mods had to restrict them. Whatever democratization is actually happening is drowned out by those taking advantage of the low cost of AI slop for profit.

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In the end people have limited number of hours to watch content, and only a few things bubble up to the popular attention.

What I meant is that I don't see truly indie-produced feature films reach the zeitgeist anymore.

I don't mean AI slop, but the next gen of creative tools that will allow people to make cool and creative and compelling stuff without the backing of 100's of millions of dollars.

It seems like movies are just another cyclical creative industry and this has already happened multiple times before- with each new technology and distribution platform there's the potential to get a wave of creative output that wasn't possible before.

Another aspect could be that the hollowing out of the top / polarization of the industry is another catalyst.

It could be enough that people who don't work on 100's of million dollar budget films get funding to do the next 1 million dollar film that looks great and is amazing.

That's more analogous to the SaaS startup boom that happened in the previous gen of tech startups. Initial costs went down and platform access went up.

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They don’t have to reach the zeitgeist. Tyler Perry has made a good living producing crappy movies and plays that appeal to certain demographic. It’s a lot easier to get 5x ROI on a $5 million movie than a $200 million movie.

Before the pearl clutching starts - yes I’m Black.

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> What I meant is that I don't see truly indie-produced feature films reach the zeitgeist anymore.

Maybe they shouldn't. Maybe word of mouth from among those in your circle of friends that have good taste is enough. I'm not sure that blockbuster cinema reaching millions is tenable, or a good thing.

As for "watching content"... yuck, I hate the word "content".

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Saw this link posted elsewhere on HN: https://fgiesen.wordpress.com/2025/07/06/content-creator/

Summary: it's okay to talk about "content" if you're a "content plumber" like some kind of backend video engineer or sysadmin, someone whose job is to help the bits get to the viewers and doesn't need to care what the bits represent. It's not okay if you're a director, actor or viewer, someone who's actually interacting with the the specific piece of content.

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> Maybe they shouldn't

looking at the last 4 years of world events, I think some people already have some nostalgia for a shared cultural experience, instead of everyone being in their own algorithmically and socio-culturally / demographically segregated bubbles. Or maybe it's just looking back with rose colored glasses shrug

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Arguably this existed for the limited time in history with invention of over-the-air TV and ended with advent of cable. Event before internet streaming nobody watched same stuff anymore.
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To be honest, I'm ambivalent about it. I do value a shared experience (contradicting somewhat what I wrote earlier). I don't have everything figured out...
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