But she claims that the fact that AI exists decreases her drive to create. That is a much stronger and less obvious argument, and something that doesn't apply to you if you're still building those models.
If she simply "enjoys the effort", as you claim, she would do the same as you - continue enjoying it. But she is not.
Politely, I suggest that prefacing a claim about a stranger's emotions by saying that the claim is "fact" and "honest" is presumptuous.
But I do think you're right about the "friction [being] part of the joy". I think a better version of my comment is that enjoying those frictions isn't completely straightforward, and the temptations of a frictionless (and maybe subpar) alternative make those frictions less enjoyable still, as simonbw's comment observed.
And yet, I can't leave well enough alone. I want to clarify that I wasn't assuming anything about your emotions. I was being even ruder. I was assuming underlying psychological motivations.
Though, to be fair, I was trying to diagnose a trend, not accuse you individually of anything. There seems to be a lot of resentment directed towards artists that bothers me. It predates the AI boom, but it's been supercharged. People seem gleeful about artists being taken down a peg by AI. It's hard not to read into that. Again, to be clear, as a broader trend and not reflective of you as a person, who like you said, I don't know at all.
I’d extend that to suggest—based on conversations with the artists in my life, anyway—that for many, the friction along the path from an idea to a work is where the art happens in the first place. That the art happens in the additions and subtractions and judgments the artist makes along the way as they bring the artifact into being. That without that, it’s something closer to manufacturing.
I’m reminded of how we around here grumble at piles of vibe-coded slop, even if they notionally solve the users’ problems at hand. It’s not strictly that “it’s insufficient at satisfying the problem brief,” it’s that it’s missing all the other latent considerations—structure, coherence, legibility, maintainability, determinism, good judgment—that a skilled code craftsperson would have worked in along the way almost without thinking.
Depressing for artists of code itself—liberating for the people whose artistic practice is maybe one level of abstraction up—whose obsession is iterating through “finished” products til they fit just so, til they reflect the high-level intention just right. For whom the code part was always an annoying-but-necessary slog, akin to, as another commenter said, grinding the snails for pigment…
“I dread what it means for the code base at work, but damn if I’m not cranking out every single side project I’d never gotten around to…”
Serendipity's part of it too, like I could see the "waterfall teapot" starting with just idly modeling a teapot with no particular goal in mind, then accidentally stretching the mouth too wide, laughing at the result, and deciding to experiment with a bunch of absurdly-wide teapots until arriving at the final result.