For years, even before LLMs, there have been trends of varied popularity to, for lack of a better word, regress - intentionally omitting capitalization, punctuation, or other important details which convey meaning. I rejected those, and likewise I reject the call to omit the emdash or otherwise alter my own manner of speaking - a manner cultivated through 30+ years of reading and writing English text.
If content is intellectually lacking, call that out, but I am absolutely sick of people calling out writing because they "think it's LLM-written". I'm sick of review tools giving false positives and calling students' work "AI written" because they used eloquent words instead of Up Goer Five[0] vocabulary.
I am just as afraid of a society where we all dumb ourselves down to not appear as machines as I am of one where machine-generated spam overtakes all human messaging.
That should leave you with media sources like nyt and your local library, which seems healthier to me. And maybe it might encourage a new type of forum to emerge where there is some decentralized vetting that you are a human, like verifying by inputting the random hash posted outside the local maker space.
I hope editorial departments everywhere are taking careful notes on the ars technica fiasco. Agree there's room for some kind of quick "verified human" checkmark. It would at least give readers the ability to quickly filter, and eliminate all the spurious "this sounds like vibeslop" accusations.
It does not resembles that. It is usually grammatically correct writing, but it is also pretty ineffective writing bad writing with good gramar.
Let's grab a few books off the shelf (literally).
Douglas Adams' The Hitchhiker's Guide to the Galaxy has four emdashes on the very first page:
> It is also the story of a book, a book called THGTTG - not an Earth book, never...
Isaac Asimov's classic The Last Question: three emdashes on the first page (as printed in The Complete Stories, Volume I)
> ...they knew what lay behind the cold, clicking, flashing face -- miles and miles of face -- of that giant computer.
Mark Z. Danielewski, House of Leaves: Three emdashes on page 1
> Much like its subject, The Navidson Record itself is also uneasily contained -- whether by category or lection.
Robert Caro, Master of the Senate: Five emdashes on page one
> Its drab tan damask walls...were unrelieved by even a single touch of color -- no painting, no mural -- or, seemingly, by any other ornament
Other pages 1s:
* Murakami - 1Q84: 1
* Murray/Cox - Apollo: 1
* Meadows - Thinking in Systems: 1
* Dostoyevsky - The Brothers Karamazov (Pevear/Volokhonsky translation): 4
* Caro - The Power Broker: 5
* Hofstadter - Godel, Escher, Bach - 3
Honestly, when I started this post I expected to have to dig deeper than page 1. The emdash is an important part of English-language literature and I reject the claim that we should ignore all writing that contains it.
Secondarily, I think there's a part of the discourse missing: the presence of a syntactic emdash in a sentence on the internet is not itself a strong signal of LLM-writing - but the presence of an actual emdash glyph (—) should raise some eyebrows, esp. in fora that aren't commonly authored in rich text editors (here, twitter, ...)
(option-underscore, or option-shift-dash if you prefer to think of it that way)
On iOS, you can type it by simply holding down on the "dash" button then selecting the em-dash from the list of options it presents. It may also correct double-dash to em-dash a lot of the time, not sure.
I have used the correct em-dash everywhere I can for over a decade, which amounts to nearly everywhere.