It’s a shame the TV and movie people can’t seem to learn this. Most music is available on Spotify and Apple and probably other places as well.
They toyed with exclusivity for a while and I’m sure there’s still some stuff that’s exclusive to one or the other, but any time I hear a song and look it up, it’s on Spotify. Done.
Such a contrast to the stupid game of figuring out which streaming service has the show I want.
Even with licensing costs at zero, the infra of Youtube, the closest thing to Spotify for video, is a very different beast. And I'd argue youtube doesn't go far enough.
So, while you are right that video streaming is much more costly than audio streaming, I think GP is overall more correct about the reasoning being production costs rather than anything to do with distribution.
Reduced hot-storage, increased playlist. Sort of media communism but the capitalists still hold the keys?
I think a better example is bandcamp - it’s actually sustainable for artists and just as convenient as pirating. Plus you get to actually own what you pay for as opposed to Spotify controlling what you can / cant listen to.
streaming services do provide some conveniences over manually managing one's own library of music. i feel like "far more" is a sales pitch argument more than something that describes reality (ignoring whether you pirate or legally acquire digital music). i recently cancelled my streaming music service subscription and returned to manually managing my music. i spend maybe one day a week shuffling music on and off of my phone according to what i want to listen to in the moment. i don't really miss being able to call up any song in the world at any point - i make a note to add it to my phone next time i sync and then move on. if i simply have to play something that's not currently on my phone, i can usually find it on bandcamp or youtube without having to pay for a stream or two.
i know it's not for everybody (and trust me, apple doesn't make it particularly easy to do compared to signing up for Apple Music), but it's really not much work to manage your own music and doing so comes with some benefits you forget about when you assume you can and should have instantaneous, frictionless access to most recorded music.
While the web UIs suck compared to local media players, they work well enough that I can cope.
But most services restrict 4K (and at least historically 1080p) web playback, even on Windows with a GPU that supports top-tier hardware DRM and an HDCP display.
My desktop display is a recent 55" LG OLED smart TV, and the streaming service apps on the TV work fine when my attention is devoted to whatever I'm watching, even if they tend to be slightly shittier than the already mediocre web UIs.
But when task switching or multitasking, my only options are reduced video quality, borrowing or purchasing a physical copy if available, or piracy.
Given how quickly everything shows up on public torrent trackers, I struggle to understand why the 4K limitations remain in place, as it obviously doesn't stop whoever uploads the torrents, and there has to be a vanishingly small number of paying customers who'd prefer to crack DRM locally or record HDMI instead of simply downloading the torrent.
Do streaming services get kickbacks from smart device vendors?
Putin's 3 day special military operation has been going on for 4 year and 3 months, btw.
All of the international payment processors (ie, anyone piggybacking off Visanet) are in compliance with the sanctions.
https://www.escapistmagazine.com/Valves-Gabe-Newell-Says-Pir...
YouTube premium is hassle?
I do see hassle on things like disney and iplayer, which put now put adverts for shows I don't want to watch in front of Rivals. It's fortunately very rare that happens (on Disney), but its getting close to what I did when Amazon brought that in, and cancelled my subscription. Just like I stopped buying DVDs when they brought adverts in.
I wouldn't have any moral problem in downloading Rivals from piratebay though, as far as I'm concerned I'm paying for it.
But sometimes though there's no option to buy the thing. I want to buy the audio version of "a stitch in time" by Andrew Robinson (Garak from Star Trek).
It's not available in my country on audible -- only the German translation.
I haven't acquired it via other means yet, I'm still on the look out for another supplier which will take my money, and if I can trust that's a legitimate supplier so at least some of my money goes to the copyright holder (and thus pays for the people that create it)
I don't have a CD player so not much use, but technically it is available for £142 from "Paper Cavalier UK". That's second hand, the creator won't make any money from me doing that.
To my mind if someone won't "shut up and take my money", it's acceptable to acquire via another means.
It's all about playing the incentive structure. When the party who can stop you from doing something is different from the party who wants to stop you from doing it, nobody will stop you from doing it.
>You've saved people from 21,262 segments (5d 18h 50.7 minutes of their lives)
>
>You've skipped 3522 segments (1d 5h 17.4 minutes)
I hope someone makes an AI-Block addon, to filter out slop channels based on the same crowd sourcing principle. It's gotten so bad I rarely venture beyond that channels I'm already subscribed to, because those are pre-sloppocalypse.