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> For 8-bit, 16 maps to 7.5IRE which is the well understood legal black. Mapping 235 means they mapped peak to 110IRE.

Generally no -- in an 8-bit NTSC-M Rec. 601 system, 16 maps to E'Y = 0 at 7.5 IRE, and 235 maps to E'Y = 1 at 100 IRE. See https://www.poynton.ca/pdf/Poynton-1996-TechIntrDigiVide.pdf

The "16" digital black level is independent of the "7.5 IRE" analog setup. E.g. in Japan with an 8-bit "NTSC-J" Rec. 601 system, my understanding is that 16 still maps to E'Y = 0 which is now at 0 IRE, and 235 is still E'Y = 1 at 100 IRE.

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Ugh. Sudden flashbacks to having to switch analog output between Japanese NTSC (no pedestal) and US NTSC (with pedestal) without getting weird noise in the black regions.

But IIRC the MPEG-2 standard had luma==235 -> 100IRE for all of the analog formats (pal/ntsc-j/ntsc/secam) so I'm not sure why you say that would violate the broadcast limits?

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Simply because the math works that 7.5IRE on a 120IRE scale maps to 16 8-bit that 110IRE maps itself to 235 8-bit on a simple scaling equation. To get 235 8-bit to match to 100IRE means some sort of exponential scaling. At that point, I stuck with the linear scale and moved on with the keep it simple stupid mindset
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