If you haven't read his work but you spend time thinking about HCI, you should.
We're unconscious of how unconscious we are?, and it's good to… what's the term, suffer gladly and give gladly? To own one's unconsciousness and raise it, and expect and see others' unconscious going about major things in life - to see it coldly as well as warmly.
I find this is more accurate and safer than assuming consciousness in everyone, and it also reveals so clearly people who do cast that light; and see.
It's less desolate! I promise! Sounds like it's worse but it's not. That's the tricky-get-into-words part, you know?
I came to my conclusions on this mostly through my own studies on Illusions and other studies on consciousness. Knowing basic facts of how we see, and all the ways that our sight, touch and hearing really, fail us. Seeing the studies of how people who have their hemispheres separated can have parts of their body act independently of each other really blew my mind when I first learned about it.
Too many people believe that they themselves are sitting in a box and looking out through windows when really we're in a dark room reading a bunch of instruments and guessing what's out there. Plato's Cave is real and we are, all of us, already inside it.
I think free will is possible but it requires a level of training and introspection and practice that most people find unpleasant, so most people revert to autopilot.
Blindsight poses the question, in essence, "What if consciousness is a competitive disadvantage, in which case non-consciousness would be Better™?"
I can't make a conclusive case one way or the other w/r/t the premise—it may perhaps be the case that consciousness is a competitive disadvantage. I don't know how we could test that without something to compare ourselves against (which is why the book resorts to introducing vampires and aliens—this question is untestable otherwise). But the conclusion, that non-consciousness is somehow "Better™," falls absolutely flat for me. "Better™" is a value judgement. Values and Judgements are both features of consciousness. Without consciousness, there is no such thing as "better" or "worse", there is only "is" and "is not."
So: speaking as a conscious being (you'll have to take my word for that), I'm quite comfortable saying that I like being conscious. And with unconscious living organisms—like, I don't know, coral reefs or whatever?—it's not so much that they like being unconscious as that they don't "like" anything at all.
So I think I'm quite comfortable continuing on being a "competitively disadvantaged" thing (supposing that's even the case, which it just as plausibly is not), that is at least able to conceive of questions like this one and make value assessments of its own, rather than despair over the alleged competitive disadvantage inherent in the fact that I experience myself and the world.
A computer can beat me at chess, sure, but it cannot care that it has done so.
The terms "value" and "judgement" have a broad semantic range. I mean to use them here in a sense that presupposes an exercise of subjective preference.
Machines, amoebas, programs, etc. can make choices, yes, and they can weigh alternatives, sometimes by assigning scores (aka "values") to differing outcomes. When I say that "Making value judgements is something that, by definition, conscious beings do and that non-conscious beings do not do," I'm trying to establish a narrower, more restricted definition than the broadest possible meaning of "value" or "judge."
So it's not that I "know" that values and judgements have anything to do with being conscious; I'm using these terms in such a way that by definition they do, because that's the set of things I want to talk about. The question then is not whether I'm right or wrong yet, but rather once we restrict the set of all things that could be called a "value" or a "judgement" to only the ones that I'm trying to make qualified assertions about, whether that set is empty (in which case everything I'm saying still evaluates to True, but vacuously and therefore uselessly so!).
I'm arguing this way because I think that narrower set a) exists and b) is relevant to the argument I'm making.
> Is the dog conscious?
I think dogs are unquestionably sentient (i.e. they are able to detect and respond to outside stimuli), and seem to display, in some minimal degree, at least an approximation of sapience (i.e. they are able to understand themselves and the world around them; hold and express preferences; form relationships and make decisions based on them).
I don't have a way to test whether a dog is conscious or not, and the dog has no means of trying to persuade me one way or the other; so I have to remain frustratingly agnostic on that point (frustrating to myself as much as I'm sure to you).
Did you mean dogs don't have values and judgements? I suspect they do, and those might be much more different than dog consciousness vs human. And one judgement might be "human gone; i do wtf i WANT bro" or, you know, something vaguely like that.
(kidding!
It's oversold, or beautiful artistic expression of something. Bleak, yes; Stark; Also beautiful.
The thing it expresses is… a thing. We're not at all as conscious as… we think?, as we portray ourselves?, to others and/or ourselves? And it's magical to view people as… partially unconscious to a significant degree while also loving them and with respect.)
I'd say the case it was making has only become more relevant with the chatbot age.
Exactly. The central thesis, consciousness not being necessary for intelligence, is very relevant today.
Of course, the existential horror background in the book was also quite well done.
Wikipedia has it down as:
The chronological order within the Sunflower universe is: "Hotshot", The Freeze-Frame Revolution, "Giants", "Hitchhiker", "Strategic Retreat", "Remora", "Outtake", "The Island".
Just realizing I didnt see that list before I there are a few I haven't read.. brb
I read Freeze Frame Revolution and drew blank seeing that acronym.
> https://www.amazon.com.au/stores/author/B001H6Q2TE/about
> This is awkward and a little creepy. They tell me I have to do it for promotional purposes, but I've already got a blog. I've already got a website. Being told that setting up an author page on fcuking Amazon is essential to success? A company that treats us all like such goddamn children it doesn't even allow us to correctly spell an epithet with a venerable history going back 900 years or more? That just sucks the one-eyed purple trouser eel.
>
> Also the bio information above is fucked. For example, my work has only appeared in 36 BoY collections, not 350; the noms and awards info is out of date too, but apparently it was all written by some publishing house and I can't change it from this interface.
>
> Still, here I am. But if you're really all that interested, go check out my actual blog/website. Google is not your friend (any more than Amazon is), but at least it'll point you in the right direction.
>
> I'm the one on the left, by the way.
Hell yeah brother.
Wonder when it was written and what it would say if written today.
This meant what?
Blindsight in particular will also blow your mind.
It'd say Starfish is a great read but it doesn't quite get to mind blowing.
They will, however, drain your trust in humanity to deeply negative levels.
If starfish is even despairing than blindsight and echopraxia, then this should be "fun"!
Watts just kept going with his universe. It was and is so good. Such an incredible reflection of the world at the time of writing, and I've found it's lost so little of it's capturance. That it gets so many of the plights of the over-civilized world, and the perils lurking in the economic and governmental an attention systems of the planet. From the old site (https://www.rifters.com/attic.htm) to the new site (https://www.rifters.com/), Watts just really, across mediums, wanted to get his world out, to show it's timelines. Incredible.
Starfish is where it all started, and I remember it as both a slow burn, but also so hard core, so real. In a world both so our own but so far away, so separated (insert follow up deep joke here), but still within the world, still immersed (pun!) in the Earth of the story. Maelstrom, the second book, is also incredible, in very different ways. Watts reflected on Maelstrom 18 months ago, and it captures some of the amazing titular sceneage, of an overrun net, a howling wasteland from accelerated technological adversarialism. Incredible book. He goes to talk more to his own background, biology, but upon re-reading it, I think of LLMs, of the GPU milleniums burned recently, doing not that far askance competitive training, forcing our own gradient descents in ever increasing numbers upon the world. Thanks Peter; your visions are cherished. https://www.rifters.com/crawl/?p=11220
Also Watts manages to conjure this feeling of future shock I've only previously felt with Charles Stross' work.
(Sue Burke's Semiosis trilogy is worth a read, too, in a similar evolutionary SF vein.)
The villain Achilles Desjardins (I don't think he shows up in Starfish? been some time since I read it) is possibly one of the most villainous and sociopath characters I've ever read in a book.
Read for free on his webite: https://www.rifters.com/real/shorts/PeterWatts_TheIsland.pdf
Or collected in The Freeze-Frame Revolution here: https://www.amazon.com/Freeze-Frame-Revolution-Peter-Watts-e...