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I don't have perfect pitch—I can't name notes and chords instantly out of thin air—but I'm a musician and can immediately sense if the tuning is nonstandard. It can be trippy. I think that, yeah, it's basically a matter of personality whether it annoys you or intrigues you, perfect pitch or no...

I'm currently practicing for a show with my cello tuned down a half-step, and it strongly conflicts with my ear<->muscle memory. Similar experiences when jumping between standard tuning and the Bach 5th Suite (A string tuned down to G) or Kodaly Solo Sonata (lower two strings tuned down a half step).

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> OTOH, absolute pitch means that learning a fiddle tune by ear takes only a couple of choruses

That doesn't require perfect pitch. Most of the YouTube musicians noted for making videos of going on sites like Omegle and its successors and taking requests which they the then play perfectly after a short listen to the original if they don't know the song do not have perfect pitch for instance. Examples include The Dooo (guitar and piano), Frank Tedesco (piano), and Rob Scallon (violin).

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Baroque was 415Hz. I'm not aware of 436Hz having been a thing but 432Hz used to be standard before 440Hz came along. And nowadays, 442Hz is getting pretty common.
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Afaik there wasn't a single widely accepted standard in the Baroque era, but rather different places had different tunings, with the "normal A" varying roughly between 400 and 500 Hz.
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You do not need perfect pitch to quickly learn fiddle tunes by ear (source: I play fiddle, can quickly learn by ear, do not have perfect pitch). You learn tunes primarily by relative pitch, which most people can develop.

There's also an element of violin-specific pitch detection; if you play violin for long enough, you can recognize the specific timbre of different notes on a violin (particularly easy for open strings) which helps ground you while listening to a tune.

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Nice Quebec rock finding its way in the world!
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