To make matters worse, people aren't doing separate masters for audiophile formats anymore, so vinyl is getting the ultra-compressed, low-dynamic-range master anyway. That is because the vast majority of people buying vinyl were doing so as merch, not so much as a way to buy better-mastered albums.
I don't know what kind of "compression issues" you're talking about but I strongly suspect you'd be well served by learning about the Nyquist–Shannon sampling theorem.
That's exactly the problem that makes digital unsuitable.
Theoretically digital can reproduce sound faithfully, but if the medium allows sound engineers to compress the hell out of music, then they will abuse the opportunity.
Vinyl is a very limited format and you can't really do any sort of "creative" audio optimization bullshit with it.
Nah, there's physical limits of the needle-in-a-groove medium that prevent this.
> or release the uncompressed masters digitally.
Technically yes, but nobody is gonna do this and risk not "standing out".
> who can afford high-end equipment
The average vinyl record player nowadays costs less than $150. The market is absolutely flooded with low-end Chinese turntables.
When a modern person listens to vinyl records for the first time, the immediate reaction is "how the hell do I make this louder so it pops out more".
And the answer is that you can't, the medium just doesn't work like that.