Why are you entitled to it for gratis? It’s a taking for public benefit.
Ancient writings like Plato or Marcus Aurelius somehow feel different. But high-fidelity live recording feels like it shouldn’t go into the public domain. It’s someone’s commercial work product
https://en.wikipedia.org/wiki/Copyright_Clause
The purpose of the system as it was originally conceived was not to provide maximum economic extraction -- the purpose was to promote the progress of science and useful arts.
It is not necessarily the case that the maximization of economic extraction coincides with the progress of science and useful arts.
When I was in law school we were taught what seemed obvious then and is obvious now: that Congress has the power to promote the progress of science and useful arts by giving authors and inventors exclusive right to the economic fruits of their works. You can argue about flaws in the system but it’s pretty laughable to suggest that copyrights and patents don’t exist for the purposes of maximum economic value extraction for inventors and authors.
There is quite literally no other reason for granting a copyright or patent. It’s also why if a plaintiff is successful in a claim for an infringement of either, he’ll get awarded money in the United States that at a bare minimum is designed to compensate him for the money he would have made if the patent or copyright had been complied with. Europe has some different ideas about moral rights in this space, but since you’re quoting US material I assume you aren’t referring to our funny brothers across the pond.
It’s obvious to most people that humans act in certain ways due to incentives, and we like to incentivise invention and creativity in the West.
They exist to maximize the production of scientific and artistic works and do so by incentivizing creators with a limited exclusionary property right over the created work.
If the goal of this particular section were to maximize what authors and inventors can extract from their creations then explicitly assigning to them the property rights in perpetuity of said creations would have been the way to ensure that outcome.
Given that they specifically wrote "by securing for limited Times" it is entirely reasonable to make this interpretation and I'm not sure why you weren't taught this interpretation in law school -- it's a pretty settled thing and there have been many times that this subject has come up in US courts over the years.
And this isn't so whack if you stop and think about it. There are all kinds of limitations on intellectual property rights.
Like take trade secret protection for exampple -- it has no term limit and no disclosure requirement. If maximum extraction were the goal then patents would look like trade secrets. Instead the bargain that the patent system forces on creators requires them to publish their invention and then hands the rights to that invention to the public after a finite period of time. The system is explicitly designed to be less extractive compared to others on purpose.
And if copyright is built for maximum extraction why does it carve out an affirmative defense in the form of fair use for others to use copyrighted works without paying? Same with first sale, same with the idea/expression dichotomy -- so much of the antisocial contemporary intellectual property regime is configured around providing people free access to the use of intellectual property.
> There is quite literally no other reason for granting a copyright or patent.
"To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries."
It seems pretty clear to me from that sentence that the stated purpose of these laws was to drive the creation of science and art and that a limited time profit incentive being enshrined in law was merely a carrot to create an incentive for that.
The framers understood the complex interplay between property rights, freedoms, and incentives in driving innovation and creation.
Knowing that granting someone an exclusive right to something that isn't subject to finite physical limitations effectively denies everyone else in society that same right the framers still understood that it was necessary to abridge the freedoms of some to enrich society as a whole through the development of science and art.
In choosing to use the words "for limited times" the framers encoded the economic priority of the majority of society over the economic priority of the minority of creators into this section but they also did not give a specific time which to me speaks to their understanding of the complexity the interplay between all the factors and allowed for the possibility that they could change over time.
On damages: that's a non-sequitur. How a system enforces an entitlement once created tells you nothing about why it was created. Tort damages compensate plaintiffs but nobody woudl say that tort law exists to maximize plaintiff recovery.
It isn't in dispute that people respond to incentives. That's precisely why the size of the incentives and the configuration of the incentive structure matters and why we have things like term limits and fair use.
Actually it’s the opposite - both patents and copyrights expire after a period of time, which is the compromise we’ve reached between incentivising people to make money for themselves personally (giving them a legally protected right over their creations), and allowing wider society to benefit from inventions and scientific discovery. The fact that patents and copyrights do not exist in perpetuity points towards the idea that they exist to promote invention and scientific discovery in ways that can be commercially exploited but only for a limited time, usually by their creator or inventor (or his heirs under certain circumstances).
Not sure what else to tell you. This really isn’t that complicated or controversial, in the US at least.
IDK.... its all bits and bytes. This seems to stifle innovation more than anything imo.
Also, it's just not true that products will be useless by the time their patents expire. Example: semaglutide patents have already expired in my country. Competitors immediately entered the market and it led to prices free falling to about a third of what they used to be. These past few months I had drug reps visit every week with lower and lower prices to the point it became hilarious to watch them try to outmatch each other. So many people are going to benefit from this. Looking forward to the day tirzepatide gets its turn.
What's next, I can charge people money for using the number 65234563124 because I'm the first to file a patent for it?
Absolutely.
Creative works are files in a computer, data. All data is information. All information is sequences of bits. All sequences of bits are numbers.
I can even calculate how big those numbers are given their bit count.
digits(bits) = ceil(bits * log10(2))
digits(32) = 10
digits(64) = 20
digits(128) = 39
digits(256) = 78
digits(512) = 155
digits(1024) = 309
digits(20 KiB) = 49,321
digits(2 GiB) = 5,171,655,946
Intellectual property, copyright especially, is logically reducible to ownership of numbers. Humans are interesting number generators.That's how absurd this system is.
Patents, unless it's for something truly exceptional, just seem like a good system for getting lawyers rich.
Trademarks I believe in though. If I buy a Caterpillar bulldozer, I should be able to believe that I'm getting a genuine Caterpillar bulldozer, and no one else is allowed to use the name.
Our systems of intellectual properties have been abused, so it's fun to think about culture shifting to one of intellectual property nihilism, but I don't see that happening in my lifetime.
Tolerability is a function of how long the monopoly lasts. The social contract was we'd all pretend we couldn't trivially copy works for some years so that creators could make their well deserved profit, and then the works would enter the public domain. When's the last time you saw your culture enter the public domain? JK Rowling has made her fortunes several times over, yet you and I will be dead for around a century before those works become public.
Nearly two hundred years ago, one man warned everyone this would happen.
https://www.thepublicdomain.org/2014/07/24/macaulay-on-copyr...
> At present the holder of copyright has the public feeling on his side.
> Those who invade copyright are regarded as knaves who take the bread out of the mouths of deserving men.
> Pass this law: and that feeling is at an end.
> Men very different from the present race of piratical booksellers will soon infringe this intolerable monopoly.
> Great masses of capital will be constantly employed in the violation of the law.
> Every art will be employed to evade legal pursuit; and the whole nation will be in the plot
> once it ceases to be considered as wrong and discreditable to invade literary property, no person can say where the invasion will stop. The public seldom makes nice distinctions.
> The wholesome copyright which now exists will share in the disgrace and danger of the new copyright which you are about to create.
> in attempting to impose unreasonable restraints on the reprinting of the works of the dead, you have, to a great extent, annulled those restraints which now prevent men from pillaging and defrauding the living.
Did people listen? No. They doubled down on functionally infinite copyrights. If lasts even longer now. These are merely the results.