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Yeah, there’s a bunch of these. I really like finding these sorts of “ur-“ moments, the first time a way of doing things really crystallizes into something other practitioners can see. The Matrix is another one - that movie is the transition point from 90s cinema to the 2000s, and it’s a little clunky from a 2000s viewpoint, but if you look at everything that came before it, it’s so clearly a turning point.
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Stop trying to steal The Matrix. It was released in 1999, that's OUR movie. You get the sequels.
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I have escaped the Matrix [bits and bytes world]; But entered the Gastrics (juice) [ie flesh and bones world]
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I'd say if there even was a bump between 90s and 2000s it was not the matrix, it was Guy Ritchie. And then Gaspar Noe sealed that. Tarantino was having a smoke nearby.
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Having read LOTR many, many times before I ever started trying to read Pratchett, I can't read Pratchett. That's not a slam at Sir Terry; I'd just internalized Tolkien so much that it was beyond my ability to properly appreciate him.
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If you haven't tried it, Small Gods is frequently recommended as a standalone, and it's very far in subject matter from the early tolkien-parody rincewind/guards books.
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Many Pratchett books aren't riffs on Tolkien at all. Someone recommended Small Gods (excellent choice, and not a whiff of Elves or Dwarves there) but many other Pratchett books are genuinely good and not cheap shots at Tolkien.

I say give it another try.

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Tolkien, Pratchett … like Bach and Toploader?
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I'd say like Bach and Rossini. Rossini was perfectly aware of the form of traditional opera, but deliberately chose to engage with it in a much less reverent style.
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https://tvtropes.org/pmwiki/pmwiki.php/Main/SeinfeldIsUnfunn...

I think there was a case of a movie reviewer for some newspaper panning LOTR because of how "generic" and "derivative" it was. I don't know if that's true or an urban legend, though, but I can see it happening.

I also think its going to be a problem for the upcoming Neuromancer series. Unless they change a lot of things, the plot as written is practically cliche at this point, and a lot of it doesn't even make sense outside of the specific technological and political context of the time.

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