> [The author] describes the growth of the Abstract Expressionist art movement, and its frequent showcasing in New York's Museum of Modern Art (MOMA), as largely a CIA-sponsored operation [...] Since many abstract expressionist painters and sculptors were anarchistic, and strongly anti-CIA, a "long leash" policy was adopted that "kept CIA operatives at a remove of two or three degrees from the artists and art exhibitions—sometimes even more—so that they could not be linked to any furtive governmental bankrolling."
Obviously it's true and not a surprise to anyone familiar with the history. But no one is asking more complex questions: why is it being pushed by algorithms and networks ultimately controlled by the same powers? Is it a "limited hangout"? Well poisoning? What does the "CIA" gain from revealing a sliver of its past activities and discrediting (both directly and by insinuation) a large number of radical artists and thinkers?
But my take on the question: "why is it being pushed by algorithms" is that it is a property of the medium of "algorithmic feeds".
YT, shorts, etc. are a great medium for attention grabbing in a way that is district from TV. Broadcast TV caters to the "average" viewer, ex. Sienfeld, Johnny Carson show. "Algorithmic TV" caters to specialized viewers. Fringe ideas and science, "the truth about X". The crown prince of "algorithmic TV" (IMO of course) is Joe Rogan. For every niche quest he has on, there's many more YT channels on that topic. Weird history, ancient aliens, psychedelics.
So I don't really think the "algorithms" are controlled, rather they "algorithm" elevate weird ideas more than other mediums.
I like your comment, though.
No.
I swear CIA exploits go through so many games of telephone, that reality is whatever people want by the end.
The CIA was involved in including artists like Pollock in the 60s in the MoMA, by then he was well established.
The aim of the CIA was to use american art in juxtaposition to USSR propaganda. Freedom and individualism vs the boring state propaganda of russian workers that people saw leave the iron curtain.
This would be similar to now a days helping american movies get through Chinese censors or to win the Cannes award to showcase how good hollywood and america is. You still need to make the 200 million blockbuster first before the CIA uses their influence.
The myth also perpetuates the idea that modern and contemporary art is basically worthless and that its only valuable because of psyop campaigns from "them" (make it the cia, rich money laundering, sometimes weird antisemetic things take your pick), when in reality Pollock and Rothko were incredibly talented artists and their art has endured well after the CIA ended its operation
https://www.thecollector.com/what-is-russian-constructivism/
If a muscular Soviet art scene embarrassed the Americans into juicing up their own art scene, isn’t that good and healthy for both?