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Your point of view seems to imply that the author's skill and intent don't matter, which I can't agree with. The reason that a reader's effort gets more out of a great work is because the author put it there, not because it exists as a function of the work in itself.
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I'm sure this aesthetic relativism holds up under argument, but this is an 'anti realization' that:

-Reduces explanatory power (if Moby-Dick and 50 Shades are the same, why has one been lauded for 100 years, minted the careers of countless academics, etc.?)

-Makes the world less interesting

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One of them has existed for more than 100 years. One of them has been granted credibility by a small number of academics before becoming a safe conservative choice for subsequent ones.

I don't know, but those sounds like some plausible answers.

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On the first point, explanation is inherently subjective. It reduces explanatory power purely because you're forced to acknowledge it was never universally appropriate, which tracks. The variety of explanation you're referring to in this context is one that I always found to be unsatisfactory. It's inherently stripping context (IE every component of what makes something the right place, the right time) out of the equation, which makes comparative analysis absurd.

On the second point, I vehemently disagree, and I'm curious how you think a larger, more complicated world can be argued to be less interesting? Does the fact that your hallucinations and delusions are vacuous, and that they don't sit alone in a dark void, paralyze you with fear?

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I don't think it's about giving credit at all.
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I don’t think that’s true. True masters will create works that enable additional interpretations, perhaps beyond or even contradictory to those intended by the original authors. I doubt 50 Shades of Grey enables such a multitude of additional interpretations.
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I strongly disagree. Sure, I can say story X is about Y, for any arbitrary Y.

But take Hamlet, for example. You can say that it's about revenge destroying the one who takes it. Or you could say it's about failing to seize the moment ultimately making you pay a much higher price. Or you could say it's about insanity, and whether sane people are insane and insane people are sane. And none of those is wrong!

You could even say it's about how tedious it is to have to listen to pompous old windbags, and you'd be at least partially right.

But if you said it was about body thetans, then no, you are objectively wrong. There is no honest reading of Hamlet that reaches that conclusion.

"Thickness" is giving authors credit for things they didn't write, but they did leave breadcrumbs for. That's different from "they didn't write it at all", and it's also different from "I didn't look for breadcrumbs, so I didn't see them".

Here's an example: The song "Welcome to the Future", by Brad Paisley, the third verse says:

  I had a friend in school
  Running back on the football team.
  They burned a cross in his front yard
  For asking out the homecoming queen.
  I thought about him today
  And everybody who'd seen what he'd seen
  From a woman on a bus
  To a man with a dream.
That verse is thick. There are breadcrumbs all over the place, trails leading to things that the author did not say. And yet he did say them, through the breadcrumbs.
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