T.R. Napper explicitly states that you do in his piece:
> But I am saying this: go look at your phone, and tell me what your average screen time is per day. Two hours? Five? Seven? If so – shut up: you’ve time to read.
It doesn't have to be Keats. Start by building the habit (read in bed before sleeping!) and just read whatever you enjoy. If Keats seems like a hurdle, just pick up Pratchett or Tolkien.
You cannot read a book in 30” increments.
So yes, it’s very possible. (Even easier if you are amenable to audiobooks IMO.)
Its a struggle trying to "imitate the style" in writing. In music, you could keep playing all the songs in the style of your favorite artist and possible develop a close stylistic proximity to what you're imitating but in writing do you just write prose with the same wordings? i get the keep reading to develop your style but feels like adapting a style you want to master and then make your own variant is way harder in writing.
In music, you have voicing sparsity, changes in voice count, preferred pitch ranges, tension/release cadences, embellishments, richness, playfulness, and a host of other characteristics. Rachmaninoff, for example (among other things), favours active, moving octaves quite deep in the base, extremely rich chords in the middle treble, simple (local) rythymic patterns, and expanding simple ideas like repeated arpeggios into large parts of a piece. He has more voices than other pieces typical of his time, though they tend to be combined somewhat simply when contrasted with counterpoint exercises and other techniques typically involving fewer voices.
In writing, you have sentence length, sentence complexity (they're different), typical volume used to express an idea, specific word choices, whether you tend to observe concrete or abstract ideas, the level of "truth" in your statements (in many flavours -- deadpan humour being quite different from a boldfaced lie directed toward the reader), technique choice used for signposting, willingness to violate "rules," and so on. If you picked even one project proposal from me at $WORK, you could reliably separate it from those written by hundreds of other engineers just by a few quirks -- habitually providing one level of motivation deeper than is typically expressed in technical writing (not just what we're doing, but what we're not doing and why we made that choice), a tendency to use British spellings and US words, a pattern of contracting any verb tense, sometimes with multiple apostrophes (e.g., "there'll've been"), refusing to terminate a non-exhaustive list without informing the reader that it's non-exhaustive, and so on. If you look at the reasons and motivations for one of those quirks, it's that I tend to have complete ideas (in technical domains) and want to express them completely and have found that every missing detail causes eventual problems -- only tempered by the fact that the requisite length tends also to cause important details to be overlooked on a casual read, which provides a mild damper on length. Understanding that motivation makes it easy to apply it as if you were me even when you don't have concrete examples regarding specific quirk/scenario interactions.
On the contrary, you may have no idea what style means in the context of writing, so you can't fathom what imitating writing style looks like.
I honestly don't know precisely either, but a couple of things to mull over: Clarke and Asimov are said to have a "dry" style. Most of their novels are "story". On the contrary, Eco describes things in very minute detail (there's a whole chapter in "The name of the rose" that is the description of a door).
Those are examples of elements of style you may be able to reproduce and that aren't limited to wording.
I find myself rewording things to avoid claude and chatgpt-isms. You don't realize how much you say "You're absolutely right" on a day to day basis...