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Forming every paragraph of dialog into perfect rectangles is way more extreme than just avoiding "widows". The usual term for this is "full justification" and typographically when it's done it's typically through word spacing and letter spacing. Full justification in monospace through word choice (which is what the Ares Luna article is about) is bonkers, but I can't see that happening for TV dialog.

I've sometimes heard "orphan" used to represent a single word left alone on its own line at the end of a paragraph, but the terms are often confused and Carter could have used "widow" in that sense.

I'm curious to see what the hard-copy scripts actually looked like. The soft copies I've seen aren't particularly idiosyncratic but maybe they've been normied: https://www.dailyscript.com/scripts/the-x-files_production.h...

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> I've sometimes heard "orphan" used to represent a single word left alone on its own line at the end of a paragraph, but the terms are often confused and Carter could have used "widow" in that sense.

This is an acceptable use of the term "widow". From the Oxford English Dictionary [0]:

> A short line of text (usually one consisting of one word or part of a word) which falls undesirably at the end of a paragraph, esp. one set at the top of a page or column.

But there are dozens of contradictory meanings for "widow" and "orphan" [1], so the definition that you gave isn't wrong either.

[0]: https://doi.org/10.1093/OED/1579263894

[1]: https://tug.org/TUGboat/tb43-1/tb133chernoff-widows.pdf#subs... (Disclaimer: I'm the author of this article)

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Widows are when the final line of a paragraph starts the next page. Orphans are when the first line of a paragraph ends a page.
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Funny because "fixing an orphan" is hard in real life (assuming they've lost both their parents, you have to find them a foster home) but easy in typesetting (just add an empty line before), whereas "fixing a widow" is easy in real life (just remarry) but hard in typesetting.
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