I think we should talk about the Bauhaus and where they were coming from. Industrial mass production allowed for cheaply mass produced ornaments during Historicism. To me it is easily understandable why the Bauhaus wanted to find a different approach to how to deal with industrialization and how to incorporate it into architecture, going away from mere imitation and copying. I think it’s extremely fascinating that those ideas took root in the Soviet Union (creating utilitarian living spaces on a mass scale) and the USA (office buildings).

Many contemporary artists, however, have very little or nothing to do with Bauhaus and its ideas at all. There is just no link connecting them … and while the Soviet Union did employ industrialized mass production to build living spaces without ornaments its art was more often than not Socialist Realism, which is a different beast altogether.

But I do recommend you read Asylum for the Homeless by Adorno because I think you might like it: “Actually one can no longer dwell any longer. The traditional dwellings, in which we grew up, have taken on the aspect of something unbearable: every mark of comfort therein is paid for with the betrayal of cognition; every trace of security, with the stuffy community of interest of the family. The newly functionalized ones, constructed as a tabula rasa, are cases made by technical experts for philistines, or factory sites which have strayed into the sphere of consumption, without any relation to the dweller: they slap the longing for an independent existence, which anyway no longer exists, in the face.”