Congress has currently chosen a duration of life + 70, but my point is that it's absurdly far beyond anything necessary to encourage the production of new works. When you consider the costs of copyright monopolies to the public, it's clearly out of whack. As I said, the majority of revenue from copyrighted works happens in the first couple of years of release.
replyI completely agree that life+70 is absolutely obscene, as my response to your parent post clarifies. I moved on from that since I thought my stance was clear (14 + 14 or 28 total), and moved on to “we should still honor the copyright even if they die, because heirs matter.”
replyNEVER have I argued for life+70 and I never will.
Has this ever happened, or is it a scenario you made up in your mind?
replyI know a few great works were published posthumously, but most of these were because somebody thought it was really important to share, not because it was a golden goose they wanted to start... milking.
I don’t have a specific example; but I don’t like the idea of an author, photographer, painter, songwriter, etc’s familt losing their copyright because their plane crashed the day after they recorded a record.
replyAnd again, to be clear, since apparently people think I’m defending life+70. I am abso-fucking-lutely not.
I want 14+14 or raw 28 back.
Edit: oh apparently I do, thanks Kagi Assistant.
Otis Redding Died in a plane crash literally 3 days after recording a famous track and his family earned a LOT after his passing.
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