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My guess is that at best it's a specious argument. It would be interesting but difficult to try to elucidate. Still what occurs to me is

– Cheaper: than what? Is it that premodern architects had the same technology and materials available but chose not to use them <because they had a higher aesth-ethical integrity>?

– What is a 'side effect' in architecture in a way that's unique from the necessary compromising that the needs of occupants, material constraints, longevity, cost, time, labor, aesthetics, and etc. which essentially is architecture?

> given {cheap material, not the good stuff / I don't feel like it / measuring sucks / I just want to cram people that will ruin your neighborhood everywhere}, the average roll of the dice yields simpler geometry with less ornamentation.

But simpler geometry is structurally stronger and allows more spacious airflow / less heat trapping. The cost of materials is not inert, the demand for them affects the cost obviously. Energy efficiency is beneficial to all. Open floor plans are less prohibitive on use cases. Large window sectioning allows for more light/efficiency and also keeps the street level perspective from seeming insular.

The logic doesn't follow for me that capital was plainly more benevolent, then around some time or another they began the project of "educating" people into accepting their cheap and accidental aesthetic standard.

What survives the past are its most accomplished projects, and thus maybe per capita it appears of higher quality than modern. And more importantly re: the submitted article, it has informed centuries of signing what "home", safe, hospitable, threatening, and etc. mean. So the whole measurement of who prefers what says something but I don't think it speaks to natural perception.

by alex-moon2 hours ago|

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That's it yeah. These kinds of pieces have been written for centuries. Surprise: people like what they are familiar with! There is no meaningful conclusion to draw from this. Look at Monet or Satie. In their own time? Grotesque, offensive - the kind of art scruffy pompous intellectuals enjoy. Now, a century later? At home in a greige IKEA showroom house being sold on the open market. To be clear: I don't think there is anything wrong with this - I love IKEA! I am buying a greige house as we speak! It is just not an interesting observation, and when writers attempt to use it as an argument against making new things, it's facetious at best, and at worst? Well, several interesting possibilities.