I kind of agree, and it's interesting how Nebula and Spotify (at least their video efforts) have been based on elevating and funding those ultra-budget YouTube creators. Like I watch Lindsay Ellis and Practical Engineering and SkillUp all on non-YouTube platforms now, despite YouTube being the recommendation algorithm that originally brought me there.

It's really the opposite model of the "major" streaming players who fund tentpole releases in the conventional Hollywood way, and then have a long tail of niche content (cooking reality shows and the like) that are clearly on a much tighter budget, but still basically modeled on being a cheaper version of a cable show rather than a much better funded version of a YouTube comedy troupe.