My Jabra headphones don't seem to apply any processing by default, and I prefer how they sound with the processing. If your headphones already boost bass or apply another effect, stacking the processing can be grating (which I've experienced when I record a video and play that through the daemon running).
I guess it's a matter of taste. I just like music sounding as though it's coming from a little farther away, and I suppose the bass-boost might be what you're finding unpleasant.
I've made the default 20% in the page for now.
I think it is meant to make jazz sound good. The eq-d bass and attenuated mids make a standup bass more apparent and the piano and vocals more present.
But it made me start to wonder if I started hating my favorite band: I was packing up to move this weekend and stumbled on my CD collection. Many Stereolab CDs. I played them in my basic acoustic waveguide radio. A slick bookshelf I inherited and rarely use.
45 minutes later I was telling myself "god this music sucks...just agonizing repetition." Turns out yes the motorik bass is repetitive...but the other key point of the band is the gentle singing and intricate delicate synth and organ melodies...all foreclosed on by some evil twin combo of an audio eng and marketer overindexing in mid low bass.
OP wants the `earwax` audio filter in ffmpeg.
To get the best possible results from equalization you need to do it by ear by comparison to a calibrated reference loudspeaker, but you can still get good results using other people's measurements. And there's no consensus what the best target curve is. Studio control rooms aren't anechoic chambers so "flat" won't necessarily give you the intended sound. You might find AutoEq useful:
I generally prefer no spatial processing, except in the case of 60s-style hard-panned stereo, which is intended for loudspeakers and does sound a lot better with the "earwax" filter or similar. "Precise and neutral" is a lot more difficult with loudspeakers, both because it's hard to keep distortion low when you're moving a lot of air, and because you have the off-axis response and room acoustics complicating things.
EQ can help a lot, but there are limits. The response curves you see are usually very smoothed and they’re only from one sample. The peaks and valleys and resonances can be narrow and can differ from unit to unit or even more from one manufacturing run to the next.
The response is also a function of the interface to your ear and leakage to the outside world. Some headphones are more sensitive than others.
I have a few high end headphones and I’ve tried a lot of the published EQs for all of them. In theory they should sound like they have the same frequency response but they still sound very different. Closer together when EQed, but you can tell they’re not the same.
I am an EQ proponent, but doing EQ on headphones doesn’t level the playing field so much that it only comes down to distortion.
The best case for EQ is in a sound controlled room for speakers when you can sit in the sweet spot and reflections and room effects are not a problem. Set up multiple sets of decent (distortion free) speakers in that environment with a moderate EQ and my listening skills aren’t good enough to identify differences most of the time.
It sounds very close to what I was going for, and feels much softer to hear. I wasn't able to find anything similar earlier with any search engine or an LLM.
This fashion of cranking the base and the high end and removing the middle (simulating a subwoofer with some tiny speakers, basically) can't die fast enough.
I mean, fair play for the writer. If he wants it to sound that way he's of course free to do so. But this style is used a lot in concerts and open air amplification and I hate it.
My theory is that this style is popular with people playing their music too loud. If your ear feels 'blocked' after a while, your music is too loud.
One thing with this style is that, because it leaves the middle (speech) frequencies relatively empty, it feels less blocking. And the high base makes that it doesn't really sound tinny or harsh. But they high base cane easily damage your hearing still.
I also wonder about the opposite situation: someone turning the whole volume up because the bass doesn't sound loud enough, raising the other parts with it. Having the bass adjustable could help there. Some songs already have plenty of bass, so it makes sense to turn it down for those, and perhaps have a dynamic limiter when it gets excessive.
By "blocked" I meant the impression of music sounding too close to my ears, rather than my hearing feeling blocked after listening. Of course, feeling softer doesn't completely establish that it's safe either.
The more recent variant is "smiley curve" EQ - high at the extremes, drooping in the middle.
EQ can mess with transients, especially in the bass. You get more volume, but at the expense of some time smearing.