However there is the concept of 'the resistance of the material' where the act of working with the material with bare hands and simple tools is a meditative process. Something I would have thought applicable to the contemplative and monastical life of a monk.
There's a fascinating article from BBC 4 on the topic https://www.bbc.co.uk/programmes/m0000xqt
> Ornate pieces that used to take months for a skilled carver, now can be accomplished in a matter of days. Instead of cutting out the beauty, using the excuse that it takes too long, thus doesn’t fit into the budget, modern technology can be used to make true Gothic in all its beauty a reality again today.
The options are either use the best tool for the job, or don't do the job at all because the budget (time or monetary I'm not sure) is not there.
I'm short, it's artistic boilerate with no meaningful value to either the artist or the viewer.
That said, actual Gothic sculpture and decoration fell into that gap when pointing was lost. And the frankly lower quality of most medieval sculpture more or less reflects that. And anyway, nothing wrong with neo-Gothic.
Wood working projects get out of hand when you add a small feature. I cannot imaging what would happen if you had to do this with stone carving!