It's every performer in the episode hitting on all cylinders on a script that is doing what science fiction is for.
ETA: Having poked at it a bit, I have just learned that Morgan Gendel and Peter Allen Fields shared a Hugo Award for Best Dramatic Presentation for that script... The first time a Star Trek script won a Hugo since the previous award to Harlan Ellison for the script for City on the Edge of Forever. Nice to know there's a semi-objective metric by which the episodes are already rated as equivalently impactful.