The Road, however, is a classic.
Not all that grim, at least compared to some of his others. Grimmer than No Country for Old Men, less so than Blood Meridian or Outer Dark. There is at least one very grim scene, though, and maybe some others I'm not thinking of at the moment. Been a pretty long time since I read it.
Grimness aside, I'd rank it simpler, at the level of reading difficulty, than some of his others.
It's a good book but personally, I don't think it's among his best.
At least that's my takeaway. If someone else found it purely depressing I would understand, but I feel differently.
Then I tried to read it again a few years later but my boy was about that age and I could not put myself through what reading it was taking out of me.
What is it?
Nothing. I had a bad dream.
What did you dream about?
Nothing.
Are you okay?
No.
He put his arms around him and held him. It's okay, he said.
I was crying. But you didnt wake up.
I'm sorry. I was just so tired.
I meant in the dream.
I do think McCarthy's own family life felt, well, "controversial" in the light of all this. But, at least he didn't seem to justify himself about it. IIRC, on not paying child support after divorce, he has said "with what?" in one of his rare interviews.I'm not a native English speaker, and I've had writerly ambitions myself, and his style feels like magic to me (hey, an accidental cormac-y polysyndeton here!). But... yeah. Thinking about the way many poets "manage" to put art before family life (obviously, they can't help it) is a good reflection of me myself being just a layperson.
But he is a true master, obviously. Could be that I liked "All The Pretty Horses" even more than "The Road". Unfortunately "Suttree" isn't translated to my language yet.
Have you read the others in the Border Trilogy, The Crossing and Cities of the Plain? If you liked Pretty Horses, you'll probably like them, too. Pretty sure I've read all three twice.