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> no mention of this bieng an actual translation from the original sumerian in any of the reviews

He states very clearly in his introduction what the scope is, how it's being translated and the problems with both translating ancient text from unfamiliar cultures and translating a work that's only partially complete and how he's approached both issues

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Loads of "translators" not trained in the original language have written Introductions where they state such things. That doesn't mean their defense of their enterprise holds water. There are a few translations out there by Armitage's forebears that ought to be seen purely as representative of their own poetry instead of an actual translation of a classic work.

Still, one has to give a pseudotranslator credit for admitting their method, unlike in famous cases like Stephen Mitchell or Coleman Barks where the edition doesn't even note that the supposed translator has no background in the field.

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Armitage is pretty good at this. I've read his Green Knight and King Arthur stuff. I'll give him the benefit of the doubt until after I've read it.
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> as that is what could be the most that can be expected from a former probation officer turned the official british royal panegrist.

In a Britain where it’s harder than it has been for fifty years to be from a working/middle-class background and make it in the arts, I think it’s great that a polytechnic graduate, former probation officer is the poet laureate.

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