It’s like writing an obit about how much you like warmed hotdogs when local 7-11 worker dies and everyone sharing their taste for warm hotdogs in the comments.
I'm sure those writers were quite content writing for an actor of that calibre. Imagine putting words to the page, knowing Patrick Stewart will take them out into the world and surely stick the landing.
What a great combination.
We know Stewart was not a great writer, of course. When he had opportunities to take the reigns of the Picard character creativitely he usually asked for more action, and the results were a bit more conventional and boring. The combination was certainly also needed for the magic.
I always liked this video from an acting workshop where Suchet and Stewart deliver contrasting performances of Shylock and discuss their choices at length:
It's an actor's job to dramatise our projections, so from that POV he did a legendary job with TNG.
But there's a certain amount of learned skill involved. I know someone who used to work backstage at the Royal Shakespeare Company. She said that she'd all these famous names playing cards backstage, they'd get their call, turn on the juice, stride on stage, say their lines with the appropriate presence and gravitas, then turn the juice off again after the scene and pick up the card game where they left off.
Stewart's choice of roles and support for causes suggests there was more than that involved for him.
He wasn't Picard in real life, but he wasn't just acting either.
That said, Suchet's performance is magnetic but almost a bit too dignified to me. Stewart's take is not as handsome and agreeable, but makes perhaps more sense for Shylock - that raised-index-finger teach me moment is just sublime smartassery.
Suchet's Shylock is angry for being wronged, and rightly so. Stewart's Shylock is justifying his actions, and a little proud of himself for thinking of the justification. With modern eyes it's very compelling to side with Suchet's Shylock, of course, but it's perhaps not really the character. But then this duality is of course a great reason the play remains forever relevant and popular.
In your analogy, it is more like you know a great hot dog place in Chicago that has been around for decades, then the original owner dies, his kids take over, and it is bought out by private equity. The hot dog obit would be as much for the original creator as the hot dog itself.
Stewart overcame immense adversity as a child, found a passion and calling into which he poured his heart and soul for decades before “making it” in middle age as Picard. He struggled with family and relationships as many do, but was honest and open about his challenges and regrets. And he continued to hone his passion and craft until the end of his days. Truly a life well lived and an inspiration for all.
Yes, Picard was a fictional role model, but what made Picard unique is that he introduced us to Stewart who was just as much of a real-life role model as the character he played. Picard will live on forever but Stewart will be sorely missed.
Then you'll see how much different choices made by the actor can transform a script.
Imagine how different Star Wars would be without Jones.
If anything I'd say it's 50/50
It’s more like a famous chef dying and lots of people praising his food, and you’re here saying all credit should go to the farmers and the chef just assembled the stuff.
A bunch of different sous chefs contribute to the food, but only one head chef.
Nope, not adding up.
That is like praising chef for restaurant decor.
Acting has a lot to do with those attributes. Imagine Gilbert Gottfried playing the role and tell me you’d still describe the character that way.
All, literally all those things you mentioned are the script.
Like seriously, people have serious problem diatinguishing reality from fiction. It is made up! A show build to have simplified almost caricature like characters and plot, so that you can project own fantasies on it.
Gottfried doesn't have the range to express those, of course. You undersell Stewart's work if you express it in terms of what some others can't do - that makes him sound interchangeable with those who can express the scripted character.
Just like, te actor who played Walter White was not a psycho. Those were not his words, values, invention.
In both cases, they played it.
At first, Ian Fleming, author of the Bond novels, considered the casting of the brawny Sean Connery in the role of his suave, lanky super-spy to be absurd. After having seen Dr. No, however, he was so impressed with Connery's performance that he wrote a Scottish backstory for Bond and, for Ian Fleming as much as for anyone else, Connery became the original and definitive "face" of Bond.
A different actor might've been picked to play Picard in season one. But how would that Picard have hit with audiences were it not for Stewart's delivery? And would the character have evolved in a different direction had the writers had a different actor in mind when imagining the character? (My money's on yes.)
I love how Jeordi just goes with it and tries to be play his mandolin