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You are out of touch. All sorts of compact gear (even very expensive sequencers like the Oxi One) use 1/8" MIDI jacks because modern consumers prefer compact. People are also used to charging with their laptop via USB, not easily done with AAs, which are also more bulky. It looks cheap because it is cheap, it costs about $60-80, which is half the price of a Volca.

There's a lot of excellent gear coming out of China. Behringer has their factories there, Donner has a range of recreations (not clones) of various classic Roland analog synths, and also make a wide variety of controllers, pedals, and other gear. Ashun Sound Machines makes the Hydrasynth and a few others, one of the most highly regarded digital synths on the market.

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It looks cheap because it is cheap—something like $60 US. As for understanding the market, they appear to be doing an okay job of it; lots of people are buying three or more of these.
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> It looks cheap because it is cheap—something like $60 US

I just got one for $48 on aliexpress.

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Are you in the US? How much did it come to including shipping and taxes?
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No comment on the general criticisms, but jacks for MIDI is unfair, I think. I probably get more annoyed at connecting DIN MIDI with the mix of equipment I’ve got since most of it uses jacks, not DINs, especially the things I’d connect to a M-Vave. I’m resisting the temptation to buy one right now.
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It's not unfair. Looking at my home studio here I have nine different MIDI synths all set up, two require adapters, and for some reason one set of these sets of identical-looking adapters doesn't even work properly on one of my synths that needs 'em. The other takes both, one only likes one pair. It's a huge pain in the ass. Other issue is they come out easily, DIN has a very solid connection and it takes quite some force to remove the connector. Also I'm not entirely sure how good the isolation is on those little 1/8" jacks, proper DIN MIDI connectors are all opto-isolated so you don't get ground loops.
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The ass part about jacks is that there is apparently 2 standards for midi over jack, with various gear manufacturers split over which one to use. You can make device accept either but it's pretty rare sight.

Connector wise, far superior to DIN midi

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There are actually 4 ways manufacturers do it. Something like the Disaster Area Designs[1] MIDI Box is a necessity once you start dealing with guitar effects pedals.

[1]: https://www.disasterareadesigns.com/shop/p/midi-box-4

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I've had A/B solved by just schottky rectifier and low enough current optocoupler, but damn ,didn't knew there is even more to that mess
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> but jacks for MIDI is unfair, I think.

Feels like studio setups are personal and individual enough that you can't say it's fair or unfair for someone else to care about specific features. Everything I own, including my own modular synth, has MIDI DIN ports on them, so I too look for that in new gear, but friend of mine too don't use MIDI for anything, obviously he doesn't look for that :)

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USB MIDI seems tempting, you can send a giant virtual MIDI cable snake down one wire, but the connector issue rears its head again. It'd be cool if there was a more robust standard for USB connectors. I bet industry, the military, scientists, professional audio people etc. would all love such a thing.
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> but jacks for MIDI is unfair

not the person you're replying to, but -

I would be ok w/ the 1/8" jacks if there weren't TWO STANDARDS to keep up with. madness!

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> toy-grade

This thing is absolutely worth the $$$ once you install Sloop on it but I regret having bought one only because I'm getting way more mileage out of using a small game pad to drive the iOS port of Dirtywave M8 (and am probably going to buy a hardware unit when they restock). Personally I enjoy the tracker workflow and chopping samples infinitely more than doing the sequencer thing on a tiny screen but I can't argue that this unit is very powerful for how cheap it is.

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I've been using my M8 and the FM-1 together, they make a good combo.
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I bought a Polyend Tracker and it also has a toy-grade build. I love the instrument itself, they just open-sourced the whole software stack as it's going discontinued. But the device itself is cheap and the rubbery coating on the top panel is already starting to wear under the knob where I rest my hand. I want to build a custom enclosure that has a tilted screen, real MIDI ports, and a wooden top with a palm rest when the plastic eventually gives out or gets too gross, quite a few people have done custom enclosures even with internal batteries already.

But yeah the cheapness is an issue. Even older entry-grade gear, while often entirely plastic, is much more robust and with real ports, they often have one of those little plastic rakes that retains your power cable too. A three cent addition I'm sure but one which is great to have.

I already have some groove boxes, what does this one bring to the table? Every groove box is annoying in its own way even the really good ones. I have yet to find something that does it all better than the good old MPC. I need a MIDI event list editor, very very few grooveboxes offer this. Only Emu/Ensoniq, Akai and Yamaha's did. Akai still offers it but I don't think their newer mini-MPC has this.

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Buy an old Thinkpad, put NixOS + Renoise on it (without a browser and with a very primitive WM), and build a QMK/Vial keyboard with encoders. It'll cost you $200 and get you everything it sounds like you want.
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> It has a fan, that's not good at all.

I think that's actually the built-in speaker?

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Correct, it does not have a fan
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That's a relief. The only thing I have in my studio with a fan is my ancient Roland Virtual Studio which I love and which still can not be replaced by anything newer because of the lack of full MIDI control over all features.
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You are criticizing a piece of equipment that created a minor revolution in the music market. Think about that. Sure it has flaws, but it brought vibe music firmware to the masses.
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Korg, Behringer, they revived the cheap and cheerful modern MIDI music device market. We'll have to wait and see what kind of musical impact this has, so far Equipboard is showing one guy with a pic of it.
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It is not the device itself. It is the rush of gear companies that are announcing their new gear will be open source/sdk available/1st class custom firmware writing support.

The FM1 has started a revolution.

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