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"Samples" were kind of like musical memes in the 1980s. What made for a good sample had a lot more to do with convenience and luck. The sounds that were picked for drum samples had more to do with how useful they were - the dynamic range, how isolated the drums are, how easy they were to mix.

The other famous drum sample - the "Funky Drummer" as drummed by Clyde Stubblefield for James Brown, Stubblefield didn't think the particular drum pattern he used was particularly noteworthy. In that case, James Brown's production choices were actually more key - his signature sound revolved around really crisp drums that he insisted needed to be clear on AM Radio and Jukeboxes. Which is what made it so useful for sampling.

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Samplers became accessible at the time which allowed music production with just loops. Look at snap I got the power. All looped samples
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I mean, look at any house or hip-hop track, sampling's like the most fundamental part of both genres.

The track you've mentioned is the prime example of the blend of those two genres. Before the term Eurodance caught on, this track would be referred to as hip-house (as in hip-hop + house). Chicago and the broader NY area did it first, but it was a Belgian track that first topped the US charts (Technotronic's Pump Up The Jam).

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I’ve heard conflicting accounts about their knowledge and royalties.

While I’m certain they didn’t receive royalties from all artists, I heard many 80s artists did. And Amen Brothers took others to court. So they would have know about the use of the break.

I will admit I haven’t done any independent research into this matter personally. Just echoing accounts I’ve read and taking their reports at face value.

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> And Amen Brothers took others to court.

Who is "Amen Brothers"?

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"Amen, Brother" is the name of the track it's from, so the parent is likely referring to the band.
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That's true, though there was a community fundraising a while back. Many well known dnb and jungle dj's donated there.

https://ra.co/news/28370

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Reminds me of Motown's James Jamerson [1]

[1] https://en.wikipedia.org/wiki/James_Jamerson

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A reminder that your society will be judged not on how the most fortunate lived but how the least fortunate lived. Context still matters but there's a meaningful difference between "Anne Brontë died of Consumption (Tuberculosis), at that time there was no cure" and "Dave died of TB, he couldn't afford the cure at current market prices".
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Sure. Which is your society though?
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What is a mote in such a society to do though? Dave couldn't afford the cure, but neither can I. What do you suggest I do to make it affordable for both of us?
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This is our manifesto. We are creative people. Here is our strategy for advancing creative work and supporting the people who do it.

We upvote comments that completely miss the point of how this algorithm works. We upvote comments that claim the algorithm does nothing at all. We downvote comments about how the creator of the original drum break died destitute.

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