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People used to buy out theaters to have that privilege on blockbuster opening nights.
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One of the joys of having Moviepass in that brief period where it was very cheap but still worked was going to random late-night showings of stuff I'd have never otherwise seen, sometimes being the only person there.

Of course you can still do that with the surviving "all you can eat" plans, but they're way more expensive and aren't quite as generous.

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MoviePass was one of the most absurd ideas for a company ever. I don't know what they were thinking.

Unlimited movies and they ate the entire cost? They didn't arrange any special deals or anything - they just paid the full price of the movie. It was insane.

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1 movie per day I believe FWIW. I had it briefly as well. But they kept making changes it’s hard to remember exactly what the first iteration was.
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The only film I saw in an empty theater was 'The Death of Stalin'. That was kind of odd but a decent film regardless.
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Did you arrive late? Could be you actually survived a purge.
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A few years ago we decided to go see the movie Thanksgiving for my friend's birthday. We were the only ones in the theater (about 8 of us). It was such a blast. We occasionally talk about renting out a theater so we can have the same experience again.
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On the one hand Its fun to watch movies alone on a big screen. My area of NJ apparently could care less about movies like Knock Down The House(Biography of AOC and other house candidates), Navalny (Movie about the murdered politician opposing Putin), The Imitation Machine: Movie about Alan Turing or Last Night in Soho (A wonderful Edgar Wright thriller)

On the other hand, I feel sad that no one in my region seems to care enough about these topics. Instead the latest superhero movie is next door packed to the brim and is so loud it rattles the walls to the room playing my quiet documentary with only me sitting inside watching it. :/

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This is a bit off topic, but I occasionally used to sleep on the sofa in our first floor office in an old Georgian building in Fitzrovia. One occasion when I did that, I woke up at about 3.30 am with intense red light flooding through all the rear windows and the sound of loads of people chattering in the street out front, which seemed as busy as it normally would be in the daytime. I rushed to the front windows and looked down onto a street full of people, but all in 60s get up. I was still half asleep and panicked by the red light and it was totally disorientating to see a busy street of retro Londoners. I actually felt briefly nauseous but I went to the back windows and shaded my eyes, from the crazy glare from two arrays of red spotlights, which it turned out Edgar Wright was using to bounce light off our building, onto the cobbles below ...and began to understand what was going on. Was a relief to get a full explanation, for what had briefly felt like a weird time leap, when I went downstairs and chatted to the extras hanging around out front. The few seconds of woozy, confusion I spent in 1960s london seemed particularly appropriate when I saw Last Night in Soho a year or so later.
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> My area of NJ apparently could care less

Surely you mean "couldn't care less"?

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I have seen too many video projects that were supposed to be non fictional either have fictional material or a misleading slant such that I would not consider it a good use of my time.
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Yeah, kind of defeats the purpose when you have to spend hours double-checking if every "fact" you just got "taught" was actually true or not afterwards...
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There has to be some latitude given here. They can’t possibly, for instance, know exactly what was said or who interacted with who and when with any reasonable certainty. It’s usually “John met with Ted and I think Sally too, he told them to fuck off because it was a bad idea.” Now make that a scene and stay accurate.

Rarely are these things documented in the moment and human memory is fickle even when we think we recall something accurately. It may seem like I’m taking y’all too literally or being nitpicky but I’m just illustrating one component. These kinds of situations happen across every “fact” of the story, which is almost always a movie based on a written account that came after, often written by someone who wasn’t even involved in the subject matter. Degrees of separation, lack of information, some or all people involved may be dead, etc.

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Which is why it should be assumed to all be fiction. Video presents the problem that you are receiving lots of extra data which are fictional, and pretending that you are getting a sufficiently accurate representation when you have no idea how much of the representation is accurate is a detriment.

Take it as entertainment, and nothing more. For example, Remember the Titans, we were shown it in school over and over. There was no racial component in real life. The Blind Side is egregious in its portrayals. Pursuit of Happyness also.

Granted, those are not billed as documentaries, but even dry, boring documentaries that have staged scenes suffer. Supersize me, Tiger King, etc.

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That I've seen, the problem is worse than that. A movie merely says it's "based on a true story". If you're a lawyer or literature professor, that "based on" might be correct usage - since 40-ish percent of what the movie told was true. The other 60-ish percent was utter fiction.

Meanwhile, people who saw the movie and found it decently engaging are busy convincing themselves that it was 99% true. And 99% of 'em will never bother to check.

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There is no data to support your last paragraph. But it is fun to talk about how dumb the “other” people are.
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I coulda added another "That I've seen" disclaimer to my second para. My dataset is just friends & family who I've seen "based on a true story" movies with, where I happened to know the history.

The term to describe my "99%" isn't "dumb". It's "don't care".

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The imitation game is an interesting one on your list. That was a pretty huge movie. Prime Oscar bait with A list actors
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