If you think of a movie scene you've seen, what is that like? Can you recount what was in it, even if you can't "picture" it? Or does this also prevent you from recalling the details of the scene?
I image a movie scene: There is a man sitting at a table in a cantina. He has dark hair, slightly rugged clothes. Standing next to his table is a little green alien that targets a blaster at him. The person is sitting low, at an angle that prevents the alien from seeing that he has drawn his own blaster below the table. I know all of this, but I have no visual image of it. If I had to draw what I see in my head it would be a blank piece of paper with arrows pointing at certain points, labeled with "Han", "Table" and "Greebo".
My inner dialogues almost always come with full fidelity, visual, audio, tactile, I can still smell the Marlboros on my dad's flannel even though he stopped smoking 20+ years ago.
As for movie scenes, I rarely tend to remember specific scenes - I tend to remember concepts and dialogue - but when I do remember a scene, I can often describe it in detail, and I can sketch out scenes, be it from movies or real life, that I remember well with a lot of spatial detail.
I suspect I probably do remember less of visuals than people without aphantasia because I don't really get much value from it, but I definitely can.
Wdym? I think that the inner monologue is "hearing it", with a varying degree of vividness between people, of course.
I don't know how much this style of thought came about because I really didn't enjoy constantly visualizing things and consistently fought against it; mainly due to the constant intrusive visual sequences of various types, of which I still have far too many for my taste. I use schematic and visual imaginations all the time, but I guess I feel safer using the monologue and so it has become the bulk of my thought. At the same time the fact that I have learned several languages and have had to consciously focus on language over the years undoubtedly plays a big part. I wonder how many polyglots who learned languages later in life use a similar monologic imagination style?
My monologue uses several languages... But my monologue has always been there, since years before I learnt my second language.
I can think about a song, think about the melody, lyrics, etc… but I don’t hear it. If I hear a couple notes that remind me of a song, I can go through the rest of the intro, get to where the lyrics start, and get to the chorus and remember the name of the song (if it doesn’t come to me instantly), but it’s nothing like playback. It’s more like my inner monologue doing a bad a cappella cover version.
I sometimes wonder if everyone is talking about the same thing, but using different language to describe it. Some being more vivid and metaphorical in their speech than others.
A percussionist takes a day off and decides to see one of his orchestra's performances. The next day he's back and talking to one of the other percussionists. "How was it?" the other one asks.
"Unbelievable! You know the part where we go buhm buhm buhm buhm?"
"Yeah?"
"Well guess what the rest of the orchestra is doing?"
hums a spirited rendition of the William Tell Overture!
No wonder it feels it's hard to explain things to people a lot of the time...
As I've mentioned elsewhere, I have achieved visualisation during meditation, once.
I also can visualise while dreaming.
I do not visualise while awake other than that one time.
The difference is extremely stark and very obvious.
Do these symptoms count?
The 0.01% of the time, I have seen blue lights. Without trying to look around too much, it’s something like this:
https://m.youtube.com/watch?v=-OzQ0zAtFL0
This has only happened a handful of times, maybe 5, definitely less than 10. I was in my mid-30s the first time it happened, at some house learning transcendental meditation. I opened my eyes for a second, thinking they were shining some lights to make it seem like something was happening. Sadly, I was never able to repeat this through meditation, but it has happened a few times as I try and fall asleep. I wish I could trigger it on demand. It’s super cool when it happens.
e.g. if you put your hand behind your back and move it up and down randomly, then stop suddenly, can you tell if it's stopped closer to your legs than your neck?
i cant think of a better test for it :( (clinicians?)
I can also draw what I can't see pretty well from memory.
Edit: this comment is shadowbanned, apparently because of a keyword filter.
Either way it seemed relevant enough to me that I vouched for it.
Not being able to visualize anything, all of this fell very flat. It wasn’t until later I found out there actually are people who can visualize things as if they were happening. I have trouble wrapping my mind around what that must be like, but I bet all these visualization exercises make a lot more sense.
I get stressed out having to meet someone I haven't seen for a long time in a cafe or something. I have to scan everyone and wait for that ping of recognition to happen.
In answer to the question though, no - even as someone with face blindness, the faces of people I've known and loved for a long time are burned in somewhere - I just can't access that part of my brain at will.
For reference, she didn't know the twins from "Property Brothers" were twins until I told her, after watching about, say, 6 seasons together.
I think about the axis on which the fold is performed. Because of “square” and “diagonal”, for the two corners to touch, the fold axis must lie on both of the “other two corners”. A reflection about an axis does not change points on the axis, both points are unchanged, so their distance is also unchanged.
1) State the order of the surfaces it hits/passes through if you choose to cast it at a point where it passes through the maximum number of surfaces in the structure.
2) Is it possible to choose a different point where it would still pass through the cube but would pass through a different number of surfaces? (such as by missing the pyramid or sphere or both). State the distinct counts of how many surfaces it could pass through depending on where you cast it horizontally, like how many different counts exist. (Being tangent does not count as passing through a surface.)
I would answer this question by just picturing it and moving the ray around in my mind. How do you do it?
The pyramid can’t take up all the space inside the cube, only another cube could do that. So there must be some points that are “inside cube, outside pyramid” and other points “inside cube, inside pyramid”. The pyramid is given as wholly inside the cube so there are no “outside cube, inside pyramid” points. Same for sphere inside the pyramid. So it’s
{ out-cube | in-cube out-pyramid | in-cube in-pyramid out-sphere | in-cube in-pyramid in-sphere }
{ out-cube (=0) | in-cube(2) out-pyramid (=2) | in-cube(2) in-pyramid(2) out-sphere (=4) | in-cube(2) in-pyramid(2) in-sphere(2) (=6 }
2) Distinct, that’s `0 2 4 6`. `0` doesn’t count because we want “still passes through the cube”, so 3 counts exist. Thankful that “tangents don’t count” so I don’t have to think about them, because nothing immediately comes to mind on how to handle them.
It's a bit surprising to me that it was unclear what I meant by horizontal/level, I thought this word is well-known and easy to understand. Here's what I mean by horizontal: For me, it means that with respect to the ground, the ray isn't rising or falling as it travels, i.e. it's level (like a plane flying in level flight with respect to the ground, not rising or falling). This constraint doesn't really matter I guess, except that I said that the cube is also level on the ground on one of its surfaces, so since you have to cast the ray in a horizontal/level way, you can't cast the ray at an angle through one of the corners so it goes through the opposite corner of the cube, since - if you think of the ray like a plane - you can only move the angle of the ray side to side not up and down, it stays in level flight = horizontal, so you can't cast it through both opposite corners if the cube is lying flat on the horizontal on one of its surfaces. As I just wrote this paragraph, I pictured what my description of casting through both corners the would look like and why it's not level with the ground anymore. I guess it's harder to follow my words without picturing it.
You mentioned it's not clear how being horizontal constrains the ray, based on what I wrote and what I meant about it being level, is it now clearer how this constrains some of the rays that can be cast? (Like how you can't cast a ray through the opposite ends of the cube now)? Or is that hard for you to follow? For me I think maybe my words could be written in a bit confusing way but I think someone can understand them if they can picture what I referred to. Without that mental picture it could be difficult though.